![]() Rietkerk and Flynn are cute, flirty and mischievous. Chappell excels at her lengthy dialogue and magic scenes. Herzog is stern and demanding as Pridamant. Much of this seems to confuse Pridamant, but he always steps up when his son is in peril, pressing the sorceress to change what he sees.Įach cast member pulls off their role(s) superbly. Flynn) seems to want Clindor for herself and carries out a little of her own trickery.Īlmost every scene brings laughs (and sometimes confusion) with all the shenanigans that go on, and the characters sometimes change names. But there are others who want to claim her love, like the funny and always fashionable Matamore (Andrew Ableson). Clindor is sure he is in love with the beautiful Melibea (Sharon Rietkerk) and pursues her. Scenes come and go with different characters involved. She walks to a portal and conjures a scene with Clindor and a few ladies. She enters with a huge walking stick, her long, shear scarves blowing in the air. Pridamant shows up at what looks like a mountain cave (great stage set by Marty Burnett) and is greeted by The Amanuensis (John Greenleaf), the sorceress’ servant. That’s where we find Pridamant (John Herzog), who, desperate to locate his long-lost Clindor (Michael Polak), visits a sorceress (Kandis Chappell) hoping she’ll use her magic to find him in “The Illusion,” which runs through March 19 at the North Coast Repertory Theatre. Imagine you are aging, have lost contact with your only son, and yearn to see him once more.
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